watson was a _ of the position because tom watson was a bit _ of the position because tom watson was a bit of— of the position because tom watson was a bit of a thorn in his side toor _ was a bit of a thorn in his side too, it— was a bit of a thorn in his side too, it was— was a bit of a thorn in his side too, it was very critical of leadership. it's a funny dynamic between — leadership. it's a funny dynamic between and deputy. angela rayner's allies say— between and deputy. angela rayner's allies say keir starmer is sort of nervous — allies say keir starmer is sort of nervous of— allies say keir starmer is sort of nervous of her, can't handle her because — nervous of her, can't handle her because she plays out well with the public _ because she plays out well with the public but — because she plays out well with the public. but you know, this story and the fact— public. but you know, this story and the fact these sorts of stories are being _ the fact these sorts of stories are being briefed in the sunday papers, is definitely reflective of tensions and a _ is def

black-and-white newspapers, reading white supremacists, the novels of thomas dixon and journalism, tom watson, legislation about lynching, put together an hour by hour account of an episode of white supremacy and white violence. when i came out in 2001, local educators in georgia, the first book account of what happened. educators in georgia developed item units, put them into the georgia history curriculum. it altered social studies in the state afterwords. here is where danielle and i don't disagree on the characterization. i don't think that is the central story of america. the story of america is a stunning assertion of individual freedoms, not group identity and there's a tradition of anti-group identity in united states history. think of all the figures who are individualists, rogues, runaways, orphans, benjamin franklin, emerson, self-reliance, the road heading off to the wood dancing leave me the hell alone, emily dickinson going into her room and shutting the door, ralph ellison's invisible man, all the way to those motorcyclists in easy rider, one of the nicknames is captain

the novels of thomas dickson, journalism of tom watson, legislation about lynching. legislation about this franchise meant going on. to put together, in an hour by hour account, of an episode of white supremacy, and white violence. when that book came out in 2001, it made a local splash. educators, in georgia, the first book account of what happened. educators and georgia developed item units on the riot, and put them into the georgia hariri curriculum. it altered social studies in the state afterwards. but, and here is where i think daniela and i don't disagree on the characterization. i don't think that that is the central story of america. the story of america is a stunning assertion of individual rights. individual freedoms. not group identity. there is a great today shun of anti group identity in united states history, and literature thinks of all the figures who are individualists, nonconforming, this rogue,'s renegades, runaways, orphans. ben franklin, emerson, self reliance, the rove, heading to the woods to say leave me alone, emily dickinson in her room and

watson, legislation about lynching. legislation about disfranchisement going on. to put together an hour-by-hour account of an episode of white supremacy and white violence. when that book came out in 2001, it made kind of a local splash. educators in georgia, the first book account of what happened. educators in georgia developed item units on the riot and put them into the georgia history curriculum. it altered social studies in the state. afterwards. but that, and here's where i think danielle and i don't disagree on the characterization. it's i don't think that that is the central story of america. >> i would dispute that. >> it's an assertion of individual rights, individual freedoms, not group identity. there's a great tradition of anti-group identity in united states history and literature, just think of all the figures who are individualists. they're nonconformists. they're rogues, renegades, runaways, orphans of ben franklin, theroux, heading off to the woods and saying leave me the hell alone. emily dickinson

tom: global wall street understands marilyn watson word for word. we have a couple of other audiences that may be heard some greek there. that was absolutely brilliant on what you do in fixed income when you are not making the coupon, you have forgotten about total return, and you are managing to not have price go down. the keyword word she said was dispersion. there's a dispersion of choices you have to make to try to be sure yield up, price down, bad outcome. jonathan: what did we call it, risk management into year end? lisa: people have made so much money in 2021. tom: have they and bonds? lisa: they have not in bonds. that is probably why you are seeing government debt outperform. but in credit, they have, and in credit, certainly the riskiest credits, perhaps people are ticking the chips off the table. jonathan: it is that line that always annoys me, the easy money has been made. i don't get ever feels easy. tom: never easy. lisa: i am telling you, my outlook is going to come out next year, at the end of the year. bullish on the economy is diff