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tv   Arts.21  Deutsche Welle  July 4, 2021 9:30am-10:01am CEST

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oh, in the change the african what's the story here? what did they have for their future? w dot com, african megacity, multimedia insight into cancer. the me the life isn't going on or not people playing the music. people breathing inside sacred the drama in the means really a lot for me because this music touched me really deep. i love every single note
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must have the me the church of san marco in the heart of milan. it was here that jews that a verity they viewed as requiem and 874, and exactly 145 years later. he ordered currencies is that the conductor stand, he's directing his music. i town of orchestra. enquire, comprised of 180 musicians and 4 vocal sold. mm. ah,
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excuse me . i think the very beginning of the record on the, with the changing whispering recruitment and the name is less than 10 days on days away. she discovers these mysterious light and lack of whisper of the humanity from all the sensuous some magic. mm. i i
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use me. oh, me. me the news
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you need to get in that kind of spiritual, wandering and spiritual adventure of searching the place. and then at one point you fell in the same pattern, was the composer and then you have a lot of information to bring. here i use a variety of italy's nice famous composer. he wrote 28 offers, one funeral mess the message directly in nearly compose the record in an honor of italian poet, the novelist, alexander my son. precisely a year after his death daddy's requiem headed from near the church of son, michael. the news, everybody recognized. even with some critics that said that was an altar and not sacred music, but everybody recognized from, from,
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from the 1st bad moment from the 1st minute that it was a major work of art and masterpiece. moving everybody in a way that still is so in fact, different so in europe, since the 1st performance same, you know, everybody wanted to get the performance of missed that and it became one of the most important works by the end sacred music pieces. the not some in general performed and be lost by, by the of the me.
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ah, ah, ah, ah, the composer is music in a certain dimension and brings this music to our and dimension goes, music is not the nodes. is these. the same metaphysic emotion that you can feel with your humper senses about something, and then you start to find a way to bring him down to transcript in language or
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sound what it is in another unspeakable and undetermined place. then of course, the composer is not for me, this kind of creator that she creates from 0 this she just gets in this environment and brings it here. now the performer, what has to do is to start from this environment here and go back to this share that the composer was, take the music and brought it here. the, the me
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born in athens and trained in st. petersburg to currencies is one of the most exciting conductors of our time from 2004 to 2010. he was music director of the noble, severe sc state opera ballet theater. it was there where he founded his music, eternal ensemble, and chamber quire. the news when he became artistic director of the opera and ballet theater in western russia . he took music. i turned along with him. right from the start, couldn't he demonstrated his passion for getting people excited about music? ah
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so what i'm doing is to prepare all this connection we and some inside of listening and gender and understanding. and every mean, what is the function? and then try to bring this mysterious light in doing the performance. everybody gets transformed. and these, all these functions august quality doesn't remains in the 1st layer of quality, but becomes hang of sacred act between people the in the
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me i me mm. ah, excuse me. i me
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me. 2 2 ah, ah. 2 ah, ah, i yeah, i i
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use when i met him it was for me like it was kind of artistic fusion because i, i immediately understood what he wanted. maybe i can give it immediately to him, but i understood what he wants and i totally approved what he was looking for. so the very special thing about his vision, and of course the vision we are altogether trying to bring with him to you is finding, again, the original score. and when i mean your original score is that we have to be aware that inverted core v r a moments where it's written 6 piano. and then suddenly you
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have, i think, 4 or 514. so in an hour and a half of music, we have to find a way to do 6 piano and $514.00. and you need to, to hear these differences the ah the me oh, the me. oh,
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i i i this music takes a lot of efforts from every musician playing and singing it. and of course the main challenge is to, to follow doris fluid vision of this music. every time he changes details, she is like never so despised with what he's doing. so he captures the exact moment of the birth and life of the sounds. and depending on how it goes,
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she can change really, like really a lot. he could change really a lot anytime the ah ah the me the. 2
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mm ah, [000:00:00;00] excuse, we'll need to be trying to do the same language. so considering that we are like nearly 100100 people. it's kind of a musician to get together and, and this is very hard to get, but when you get it, it's really
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a very amazing the me the oh the me
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ah ah oh, i like the fact that in this piece you feel being a part of something great, and as a solar you have to of course, very, very exposed solo moments. and then suddenly you have to mel traverse in the course of the trio, the quote to our order. and for example, the new v is the, the most exposed moment because you are at the octave with the soprano. you see exactly the same thing, but it has to sound like a unique voice. the
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ah ah, the the news . the
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news the news is that not this is going to be connected all the time with what these constant in life which is change . and this is something that is very honest and very hard to follow and very has always for him to find the truth. everything about him is special and to work with him, of course it's a great privilege and that really deep satisfaction of, in, in a way of creating music together. and but also it's a great challenge because he's obsessed with the quality. i think he's a genius,
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meaning that he is told to be in the music he's completely involved in what he's doing. and for me, the genius is this person who is what he explores. what he magnified ah oh the. busy ah, oh yeah the,
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the. busy busy i oh with me ah ah ah, ah, and surely not engineers soon enough protection interest . i think sue a little bit different things in scores from other musicians. i'm a little bit individual. i will say that's the only thing i can say about myself
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and absolute friend of the composer that i decided to interpret the news the the, the the the, oh,
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need me to be the i use read rate to grade form for doing some because you
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deal with something that you deal every day actually just deal with death in life. and while you do read them your your code to answer to, to, to from, to mental questions. if you believe in life or death, and if you believe in life before death, who need it? well, i mean them all in all
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i all. ah. the news, the news news,
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