tv [untitled] October 18, 2021 2:30am-3:01am AST
syllabus, which is either the ability to lose control or to be impulsive, so that personnel to treat correlates with the person to draw the decorum horror as a form of escape, horror as a way of helping us connect with others. the verdict is watching someone else go through hell. might just help us feel a bit better. need barker al jazeera london film festival. ah. type of picture got the headlines here on al jazeera police in haiti say a notorious gang is behind the abduction of foreign christian missionaries and their family members. they were kidnapped in the area of gun pierre, just east of the capital puerto prince. the group includes 16 americans and one canadian haiti's endured years of economic and political upheaval. but the situation worsened after the assassination of president governor more use in july and a devastating earthquake in august. my county has more now from washington
d. c. a u. s. security delegation has been in haiti and recent days, it's brief to consult with the haitian national police on ways in which the us can help restore law and order. here in d. c, the state department has issued a turn statement saying it is aware of the situation and is continuing to monitor fighting in yemen, 7 years civil war is escalating and a key strategic region who the rebels say they've seen new territory in the oil and gas producing provinces of maribel, shambler becomes as the saudi lead coalition, which backs the government, said it killed a $160.00 the fighters in air strikes, floods and landslides of killed, at least 19 people in india's southern careless state. officials say thousands have been evacuated, and at least a 100 relief camps have been set up. if the worst flood since 2018,
when more than 500 people were killed. afghanistan's interior ministry says girls will soon return to secondary schools. since the telephone's take cover, only primary age girls have been allowed to go to school. male students and teachers were allowed to go back in late september, but the future female teachers is uncertain, with no plans announced about their return. and hundreds of fishermen had been protesting and shall lanka against what they say is poaching from neighboring india . i say their livelihoods are being threatened. the fishermen demonstrated by setting dozens of boats flying black flanks didn't know the most point of the island nation. they want their government to enforce a 2017 law that would prevent indian fishermen from encroaching into shrunken waters. so those were the headlines. the news continues here on al jazeera after the stream statement. thanks a lot, but frank assessment is orcus likely to change biking behavior. no, it's not gonna change their behavior,
they're going to continue to do what they do and in depth analysis of the days global headlights inside story on al jazeera. ah. hi, emmy. ok, welcome to the bonus edition of the stream is to show that brings you the kind of conversations i have with a guest after the live broadcast. coming up, the to museums, singer songwriter m, almost new thing. but let's start with classical music. the 1st time since the metropolitan opera house was founded a 138 years ago, it is stating a production by the african american composer. by shut up in my bones is the story of a young man's journey from hardship to success. it was co directed by camille brown . the libretto is by cathy lemons and the music was composed by celebrated jazz musician and composer. terence blanch out his tats,
i wanted this opera and everything that i write to sound natural and feel natural coming all to boys. so i would read the libretto out loud, and when i would read the libretto out loud, i would hear the rhythms of that. i would hear the data here and see that would start to inform me what the melody should be, what the piece would be. then i would just take it from there and then i would have these workshops with a certain person who's on this screen with me right now. and then they would tell me about how i want to kill their voice by arriving to many high knows well that and pass through that set and present like the speak leave you ah, yes i me. no, i love, i love it. here it is. music on my nose there. yeah. oh no. oh say. so i
use like the in those or you say i got a thing but you would have our, it's a favorite but got to say something say something and 3. 0 is, is that, is there like a terms you can tell us, you can tell us this is our secret. this is the, the extra stream extra. and was, was that a sort of a one? oh, $12.00 or per conventions that you looked at. and then threw away, or did you just know it because i knew that your dad loved oper, music, so it kind of seat into you as you're growing up on what we're part, part of it was the fact that i had my my father loved app and i heard a lot of oper right up at the, not a part of a was, you know, i just loved it for myself. and the main thing is you want to tell a story. so when it comes time to tell a story, there's a certain kind of, of construction that you, you want to have to do just a normal beginning, middle, and the end, you know, and to karen's point, that also goes into how you want to write for the voices because you want to make
sure that those voices are covered all moments have that registered or have those melodies that could really allow them to blossom and really express themselves. and when karen did the 1st production of our fires set up in my balance, she helped me a great deal. and understanding just that in terms of like howling to save certain phrases for certain parts of the opera to make sure that there can be a climax in the piece. yeah. michael, you do, you know, up for so, so, so while, when you look at new pers, being written, one of the comments that we had on youtube was the opera shouldn't be an old awful issue continue to develop. sometimes we get stuck in the old art form. what are the trends that you're seeing right now? what gives you how, what are you excited about? oh, well, couple things cuz i think it is, a oper does rely on the can't. the remark it relies,
the industry just relies on the certain shows certain composers and that's part of it for me, i actually thing and maybe you know my bias as a director for, for, is that i think what's also interesting to me is when we're re imagining the classics and re imagining the canon and re imagining. how can we tell those stories in a new and exciting way in a way that, that is palatable to people. we want to see the shows. and then i'm also really excited. people like terence and people who are actually like writing in a way that sort of adding to the story, telling us that it's not. we're not, you know, going into a place that's completely different, but we're actually widening the table. we're letting more voices at the table. we're not getting rid of puccini in order to get to add turns blanchard, but we're actually adding turns blanchard,
to the story tongue that we get to tell me how, what are you thinking? i'm thinking 2 things and i love harris, and i know he was the court, me a saying this, i wish there was more discussion around casey lemons and camille as well because they may history too. and here is noses that i'm super, super, super supportive of women in app are particularly diversity behind the stage, you know, gender and race and inclusive. and i wish that we saw more on black women outside of just being singers. and, but it would actually creators, in the way we see in other art forms that we see in literature the way we see in our dance, you know, i, it also makes us believe that we have, we have 2nd careers outside of the singing. you know, so i wish, and i'm not here as a, as many, many women in his life, you know, and i know, you know, you know, like, i wish i wish man and,
and to that. but i know you mean that, and i'm like that are running my life and how a k a is as it should be. tyrants obviously, i know, but to her point she is exactly right. one of the things that i've been screaming about is how much of a genius, camille brown is i've been saying and over and over again. you know, chasing lemons has also been my sister for a number of years. we've worked together and there, there would be no far should have been my boss if it wasn't for how beautiful a brutal she took that story, that most people couldn't see an opera and she created something extremely beautiful. she also created 2 characters, a loneliness and destiny. oh, yeah, no. and they manifest themselves into a 3rd character grutter. you know, so it goes without saying that their contributions are huge, you know, and to them and to the development of this production. and we need to celebrate them just like we need to celebrate anybody else who's been
a part of this production. the young kids that have been a potters production who amazing singers the chorus. tell people all the time. one of the things that's been blowing me away about this thing is that you don't know what it feels like to walk into a room or 40 people and be the only person i can't say it. ha, ha, yeah, i, i, he, i do know that feeling that map was got that when you will, the compose into that. so again, you're musician, you, you have all the skills wonderful to be surrounded by that talent just just for watching the clips. the videos from listening to you talking about it. i really need to see this. all right, now i may not be able to see it at metropolitan, but i know it's going to come to atlanta. it's gonna come to see, see, this oper is going to go rod and run and run and run and run how exciting old is going to be. so i will also is going to be some will curves on october 23rd and $7.70 countries around the world. parents blanchard,
a michael mohammed and karen sat, bringing that passion for opera to the stream. fire shot up in my bones will be simile costs in cinemas around the well this month. go to met upright dot org for details. and now to some disturbing video filmed on the cray sharp bosnia border in europe, there are countries are so determined to keep out asylum seekers that they beat harass and chase them away from their borders. these push backs are legal and brutal, but some viewers who are watching the stream on youtube this week suggested that european countries can't save everybody and no visa equals no entry. i shed the sentiments with the guests and i post. so discussion. we're nothing enough that these people don't have visa, begin not have visa because they ashland seekers or by definition there do not have
the legal i think that may be a point that, that we should emphasize if we want to talk about law, you know, i mean the how people enter the counter doesn't matter whenever, when they seek for i don't, you know, but frankly, to look at the broader feature. migrations as always received any sort of mankind. he served a mankind is made of migration. so, you know, we have not seen as an invasion, as we have seen. i mean, something that has always existed and people always have tried the concrete and it's always a deal. and we should try to apply to be proactive anti, to manage these, these phenomena. rather than trying to counter them as it is happening now and call i think what, what sticks with me are in it's in the last 3 years is also a lot of it is happening. increase on bosnia and these countries are they had the
worchester 27 years ago. and many of the people that you meet there like the locals say like like we understand the refugees and the asylum seekers because we were in the same. and in the same role, just it really a short while ago. so also not forgetting that this is something i must must said, that this has always been with us, that people need to flee from somewhere because their homes are destroyed. and yeah, like that for sure. you don't have a visa if your house is destroy there. if you can't go back where you have your draw with your documents, like how should you have a visa? if you, if you leave with your children on your arms, just out of your country like that, you need to go somewhere and just ask for protection. and people who should really not forget that this is something that has always been happening to certain mom to certain groups of people. maxima,
i feel like the way countries in europe are dealing with asylum seekers has got more to do with politics than empathy. because it wasn't that many decades ago when most european countries were refugees, most europeans were refugees because of the 2nd world war that is correct. not only most of the refugees, because over a 2nd or 2 was filled with water. but those are many, are appealing economists, microns, i mean, the, the city of south and europe is made of economic migration the, you know, and now did the stands of change of probably things improve the european union. now people tend quickly to forget how data grandfather stayed. i mean, and let's be clear. i mean, oregon or father would probably with these are probably exactly the same way, like these people are doing to me. is there a political solution? i mean, can you say, oh, i mean how latisha's making the problem?
i think may be 2 points on that. the 1st one is remembering says that the vast majority of refugee leave in low and middle income countries and compare it to you know, who lives in europe. europe is only receiving yet very small share of, of this refugee. so that's may be a 1st point. as for whether we can find a political solution to the situation. i mean i, i think this is yet to be seen. the issue of migration and asleep has become so sensitive. and since you have $1516.00, i would say the situation is getting worse. after every crises of perceived crisis like that, really, there is this perception that we can not managed your rivals. and this is making really difficult to find a solution at you level for, you know, a common armnaya manage solution to and hosting this people. i mean, we've had that old discussion on silicon already and we're seeing like every time
there is this list deadlocks at between, between you member states. and so either i'm not sure if they, there's a solution in sites. i. susie's problem, what is your, is like at operational levels. this is where things can change. this is where, you know, independent human right monitoring mechanism can be set up. and also this is where, you know, as i mentioned, see, can be more active to make sure than when asked when he could get to the country. they, you know, they're adequate reception mechanism. they are still in, claim are being processed in due time. and so that prop people access to, to fair process, when they get to europe, the co, you saw up close the violence against asylum seekers. where do you think that comes from? because it wasn't just a few bad apples as some of the governments authorities was like, this is just a few of them. it's systematic. it's organized, it's fun gate. i feel like that's beyond prejudice.
now. no, and it's also even orchestrated. so i think that, i mean, where does this come from? it's, it's for me, it's for us still difficult to say if there's even an order to use to use to su islands. what we know that the while and that we film this to sled, say medium violence or it sounds already so cynical, but there have been cases of sexual harassment of like we'll torture or elements of torture. and so we are pretty sure, and especially in how wide spreads this is practices are that, that there are commands and that there are special groups that are known for doing a very good job at beating people up because it all is about the motivation. so what they're trying to do is to, to give all they can,
that they don't dare to come back. you can watch the full episode about the illegal takes being used on asylum seekers and refugees in europe at stream dot out is era . dot com. ok, full confession here. when i prepare for election shows, i do a lot of reading and then i just cross my fingers that the guess we book are really good at explaining domestic issues to an international audience, to soft a racks. october election, the stream brought together a panel that did a brilliant job of unpacking a racking politics. so any luck, they're not, we don't have just to parties like there is in the united states or there isn't. in britain, britain for example. we have several parties. the voting process also is different on how they work for parliament members. and it in different than how it's a direct vote for the president. and also because we have a prime minister, we don't have a president, that's another difference. and then we have the local governments also with that,
that's that also that also is very different. over the past 15 years, a lot of the both vote has been identity based. we do see that happening in the united states today. however, in iraq, it took some times of violent, it was very violent, and we see that also sort of shifting. so unless the international audience understands that they would not really see how significant these elections have been. when newcomers actually broke that chain of, of the dominance of the mainstream, political parties in 2 very important, very sacred provinces and south iraq. and also the importance of the islamic community kind of being defeated with instantly politicians. it's any politics. that's all very, very important. that would, that's a different that i would focus on. all right. are you a 2nd to have here? because you are a politician, you've experienced iraq politics. how would you describe it from the inside? no repeating whatsoever shows mansion, but from an economic perspective in the air state patronage
very much controls the economy. so everything here in the air act is a state own state manager. states controls are which is very much it limits the possibility and, and the opportunities for private sector to flourish. m m. ringback and they, and i care, for example, the, the, the, the government is the primary operator of everything was in a free market economy is when we could see the government's regulator, a policy maker, and a tax collector. anything but a and operators or we don't like, for example, united states produces more oil than iraq and saudi arabia put together. but they don't have a national oil company where in iraq, if we want to talk about, for example, privatization and introducing the market economy and so on. this is a big red line that we need to explain to the traditional mindset. that's it, very much controlling everything. well, if a young person said to you,
i want to be a politician and that were in iraq. what would you honestly tell them? i would honestly advise them to read more about politics in an old democracies that basically didn't develop to democracies or across the world before suggesting anything. i still remember during the days of the protest that young people approached me and say that we would like to produce similar to, to the french revolution or so i told them, did you read anything about the history of the french revolution that democracy didn't come in? the day after that there was a dictatorship and bloodshed and so on. there's going to be a journey of 20250 or so really need to think in a different way. i'm much smarter than the past, so i would advise them to read about what's happening across the world before
improvising any solution from local mindset. the big political parties, they are, they are very organized and disciplined in the way they continue to have influence and power. i also know just as a citizen and being based here, it's very much about religion and tribes have influence on, on politics. and you can ask any, any citizen, any person and young people here, there's a lot of influence coming from regional countries. and sometimes we feel like we are ruled by neighboring countries. so i think that for the young people, we always feel that you need to belong to a certain political party or institution or group to be able to try politically. so, but the young generation are bringing
a lot of change. i see there's also back in the day as a courtesy woman. i used to have so much fear of anything coming out of the criticism region because i'm still reminded of a time of how i used to flee from, from the war that i experienced. but the crisis that happened now, especially women, showed that they could really be capable and, and take home the crisis and brought a lot of women from all of the different provinces and city together. and we kind of found ways of to reconcile. and so we have new conversations. i have activist friends from back that from muscle, from sin john, from money and do have me meet more, we gather we do activities. so the whole conversation around influencing politics or change and policies and laws especially go very close
to my hard like finding ways to, to and gender based violence in the conversation is moving forward. it's shifting. i feel like the young people are just bringing it towards a new way, a new generation and you wrote and so there was definitely so much hope for a less complicated politics. by the way, it goes for people like me, it's still very complicated and we still do our best to understand it and we can't, but there are social media and then each other. thank goodness for social media. finally, one of the streams most memorable music gas return for a chat via instagram his m will miss lucy, that she knew the singer songwriter talking about her latest project. as a woman who is supposedly a feminist, i haven't really cooked her. so much of that in my own
kitchen i, i just had this realization that i wasn't really offering so much space for other female voices. and that as female voice it always try to take more space throughout my career. i felt that it was time for me to give back and to also receive but from a different source. because throughout the many years i was performing in creating and producing albums. i must, exclusively worked with, with man, with man. and i decided that it was time for me to explore female creativity and female sisterhood. and i just started reaching out to many female producers. and also i had the big motivation that everybody kept telling me that it
was impossible. they was just very hard that most of the people i was asking didn't know any female producers. so i decided to that's, that's really depressing. you are in the music business. people you didn't know female, but jesus. yes, yes. and i even ask, i'm talking about people. yeah. in the music about people you know, on the scene people who are radio programmers and i, i'm sure they're coming from from a good place. they're not just trying to sub anybody, but that's, that's where we are. because even myself, before anybody else, i just any, anytime i had the idea of reaching out to somebody, i would always find a lot of male producers or musicians. and i mean, i love all the parties and all my collaborators and i still collaborate with them.
but i just felt that i, i, it was the time for me to start taking some action. and i got even more motivated after all the complications and applications get coming along the way. because also a lot of female, we tend to not trust each other enough internet trust ourselves. as you know, if people who have a voice and we can accomplish so much and we can, we can accomplish even more together. and he might sound like a cliche, right? so like cute and cheesy but it's, it's, it's not, it's not that simple and i found myself really supported in a way that i haven't felt it before. and i found myself creating in, interacting in ways i haven't interacted and created before. i move my thing,
see on a live wrapping up, i show you today like watching, ah, ah, ah, ah, ah, in a, in the waves most populous nation, one in every 4 women suffers domestic. i went east investigates john of battle ground at hon, one out 0 known for their innovation and ingenuity. the afghan girls robotics team has competed around the globe are far at part is about solving the communities and our community problem. and i'm so interested to in the future to serve my people and help my people,
although articulates about what they want for the future as the country transitions and the future is uncertain. it can be overwhelming the afghan girls robotics team, so they hope to continue their education here and cut the foundation. that future is in afghanistan. the taliban has promised they would respect women's rights within the norms islamic more. but despite the assurances from afghan, see the telephone's gains as dangerous for women from fear that progress will be in peril, all disappearing their hopes on reform and to work towards a post to future. for women and girls. the world is warming, and green lens ice sheet is melting, which is changing everything from sea levels to the way people live. and now even exposing the remnants of a cold war, paused greenland. the melting of the frozen north on al jazeera,
unprompted, and uninterrupted discussions. from our london broadcast center on out to a 0. ah, patient police say a notorious gang is behind the abduction of 17 christian missionaries kidnaps then ethan orphanage. ah, hello, i'm darn jordan. this is al jazeera alive from dough. also coming up. the battle for humans energy rich married province intensifies with who the rebels claiming bathe, made gains least 19 people are killed as floods and mudslides hit the indian state of caroline rescuers searching for.